Charlotte Anna Perkins was born on 3
July,
In 1884 she married fellow artist
Charles Walter Stetson (1858-1911) with whom she had a daughter Katharine
Beecher Stetson (b.1885). Her ensuing depression, possibly post-partum, and
nervous breakdown affected her for years to come. Gilman went to a sanitorium
in Philadelphia
in 1887 where she was treated by Dr. Silas Weir Mitchell, who is the doctor in “The
Yellow Wallpaper”. His `rest cure’ included no physical or intellectual
stimulation and he roundly forbade Gilman to write, suggesting she `live as
domestic a life as possible’.
Rejecting
this harsh pronouncement, Gilman moved to California around 1888 after also
separating from her husband, and became involved with social reform and
feminist groups, conducting lectures in North America and the United Kingdom on
various subjects as trade unions and women’s suffrage. She also had articles
published in the New England Magazine. The
Giant Wistaria (1891) was
followed by “The Yellow Wallpaper” (1892), and In
This Our World (1893) a
collection of her poems.
In 1896
Gilman was living in
Concerning Children (1900) was followed by The
Home: Its Work and Influence(1903). Gilman was also busy writing for and
publishing her own monthly journalThe
Forerunner from 1909-1916. What
Diantha Did (1910), Suffrage
Song and Verses (1911), The
Man Made World or Our Androcentric Culture (1911), andMoving
the Mountain (1911) were
followed by Herland (1915). It is the utopian tale of
three male explorers who discover an all-female society, free of war, poverty,
and oppressive domination. With Her in Ourland (1916) followed. Gilman also wrote His
Religion and Hers in 1923.
In 1932
Gilman was diagnosed with inoperable breast cancer and by 1934 had moved back
to California .
She died by an overdose of chloroform on 17 August, 1935. The
Living of Charlotte Perkins Gilman: An Autobiography (1935). In 1994 Gilman was inducted
into the National Women’s Hall of Fame in Seneca ,
New York .

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